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Untitled 22 Pencil on paper 65cm x 50cm © 2010 Tammy Lu Continue reading Untitled 22
Quadruple Object
Quadruple Object (detail) Pencil on paper 65cm x 50cm © 2010 Tammy Lu ”Causation is vicarious insofar as two real or two sensual objects can not touch. Asymmetry merely addresses the other side of that story by pointing to another place where objects do in fact touch – a place where real objects meet sensual … Continue reading Quadruple Object
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Untitled (detail) Pencil and gouache on paper 30cm x 42cm © 2010 Tammy Lu “It seems that reference is not simply the act of pointing or a way of keeping, on the outside, some material guarantee for the truth of a statement; rather it is our way of keeping something constant through a series of … Continue reading untitled 21
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Untitled Pencil and gouache on paper 30cm x 30cm © 2010 Tammy Lu “Instead of the vertical abyss between words and world, above which the perilous footbridge of correspondence would hang, we now have a sturdy and thick layering of transverse paths through which masses of transformations circulate. (…) ‘It refers to something there’ indicates … Continue reading untitled 20
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Untitled (detail) Pencil on paper 30cm x 30cm © 2009 Tammy Lu “The unbelievably small and the unbelievably vast eventually meet, like the closing of a gigantic circle.” Richard Matheson, The Incredible Shrinking Man (1957) Continue reading untitled 19
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Untitled Pencil and gouache on paper 16cm x 27cm © 2009 Tammy Lu “Whenever we use certain things for attending from them to other things, in the way in which we always use our own body, these things change their appearance. They appear to us now in terms of entities to which we are attending … Continue reading untitled 18
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For Speculations: The Journal of Object Oriented Philosophy. Thank you to Paul John Ennis for adopting this image. Untitled Pencil and gouache on paper 16cm x 27cm © 2009 Tammy Lu ”When it comes to the ‘vertical’ relation between real objects and their accessibility to others, the real object is always something more than the … Continue reading untitled 17
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